Studio Photography: Shoot and Edit While Tethered

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DAN BROUILLETTE

2:35:40

16 View

01-Class Introduction-HD.mp4

02:45

02-Importance Of Tethering-HD.mp4

09:20

03-Introduction To Capture One-HD.mp4

28:39

04-Equipment For Shoot-HD.mp4

06:48

05-Shoot And Edit While Tethered-HD.mp4

26:41

06-Shoot And Edit While Tethered With High Key-HD.mp4

16:06

07-Post Shoot RAW Processing-HD.mp4

08:32

08-File Folder Structure-HD.mp4

07:13

09-Import From CardIn Capture One-HD.mp4

03:32

10-Capture One Export Settings-HD.mp4

04:52

11-Photoshop Basic Retouching-HD.mp4

14:57

12-Full Shoot EditIn CaptureOne-HD.mp4

26:15

Description

From Shoot to Edit: Tethered Shooting Basics for Studio Photography

The best photographers have a good idea of the image they’re after from the very beginning of the process. But shooting with a specific end product in mind requires a lot of thought and planning. Dan Brouillette will show you how to do it by creating a live, in-studio portrait shoot with simple lighting. You’ll learn how to make adjustments for color correction and toning in Capture One®, the best way to use shadows and highlights while tethering, and how to perform additional post-processing work in Adobe® Photoshop®.

SOFTWARE USED:
Capture One 11, Adobe Photoshop CC 2018

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Photography

DAN BROUILLETTE

Instructor's Courses

Dan Brouillette is a commercial, editorial and senior photographer based out of Omaha, Nebraska. Dan uses specialized lighting and posing techniques to create cinematic images for his senior clients that are unlike anything in the industry. After working as a lighting tech in New York City, spending his time lighting sets for celebrity and editorial shoots (which he still does today), he moved to Omaha to start his own studio and bring some of that New York flare to his local clients. By implementing different lighting techniques and modifiers typically reserved for commercial photography, Dan is able to stand out and give his clients unique images that look and feel like they were taken from the pages of a magazine. His editorial clients include ESPN Magazine, Women's Health, TIME Magazine and many more and he has been hired by several photographers to construct lighting setups for celebrity shoots including James Franco, Anna Kendrick, Anne Hathaway, Kristen Stewart, and Scarlett Johansson.