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Spatial Audio with Dolby Atmos in Logic Pro X

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Scott Hirsch

41:05

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  • 01. Your first step into a larger world of audio.mp4
    01:17
  • 02. The world of spatial audio with Dolby Atmos.mp4
    03:16
  • 03. Monitoring requirements for spatial audio.mp4
    03:31
  • 04. Configuring spatial audio with Dolby Atmos in Logic Pro X.mp4
    08:06
  • 05. Differences between working with beds and objects.mp4
    07:33
  • 06. Mixing with beds in Dolby Atmos.mp4
    05:39
  • 07. Mixing with objects in Dolby Atmos.mp4
    06:55
  • 08. Exporting and sharing spatial audio tracks.mp4
    03:30
  • 09. The road ahead for spatial audio.mp4
    01:18
  • Description


    If you’ve been to a movie theater recently or listened to music from streaming services like Apple Music, you might have heard about Dolby Atmos, the sound technology that allows you to create and experience 3D/spatial audio. With Logic Pro X, you can create and deliver Dolby Atmos mixes, and you don’t need a roomful of expensive speakers. In the Logic Pro X environment, you can mix with regular headphones, and the Dolby Atmos mix will work with whatever headphones or speakers the listener is using. In this course, Scott Hirsch shows how to configure, record, mix, and produce spatial, 3D audio with Dolby Atmos in Logic Pro X. Scott covers the hardware requirements for working with special audio, how to position tracks in 3D space, and how to mix and master your spatial audio tracks for sharing and performance. Spatial audio is not just for blockbuster movies or platinum-selling recording artists, so join Scott as he shows you how to create and share your own spatial audio tracks.

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    Scott Hirsch
    Scott Hirsch
    Instructor's Courses
    Scott Hirsch is a recording and mix engineer, sound designer, and musician. After starting out in post-production at BAVC in San Francisco, Scott relocated to New York City in 2007, where he honed his craft as a film sound designer. As he obtained a master’s degree focused on spatialized audio in post­-production at New York University, Scott embedded himself as a sound fixture among the New York independent film scene. While moonlighting in a 5th Avenue commercial post-­house (Creative Media Design), Scott edited, sound designed, and mixed films by directors Rick Alverson, Joe Wladyka, Trey Edward Shultz, Andrew Renzi, Sam Fleischner, Pamela Romanowsky, Matthew Porterfield, Francis Bodomo,Adam Rapp, Lawrence Michael Levine, Jonathan Caouette, Chris Mason Johnson, Lucy Walker, and many more. These films played and won multiple awards at the Cannes, Sundance, Berlinale, Tribeca, and SXSW festival circuit with the films Scott worked on over the last seven years. After obtaining his masters degree, Scott went on to teach multiple courses in sound at NYU. Scott is also a musician and music producer, and in 2014 recorded a Grammy nominated album by folk legend Alice Gerrard. His first solo record Blue Rider Songs was released in August, 2016, and his follow up, Lost Time Behind the Moon in December, 2018. He has also performed on and produced four full length albums and several eps by band Hiss Golden Messenger. Scott is a firm believer in sharing his knowledge and experience through education. He has taught as an adjunct professor at NYU's Steinhardt music technology program, as well as Stephen F. Austin University's music and media department and continues to be involved in both programs. Scott is an active author of audio related courses on Linkedin Learning.
    LinkedIn Learning is an American online learning provider. It provides video courses taught by industry experts in software, creative, and business skills. It is a subsidiary of LinkedIn. All the courses on LinkedIn fall into four categories: Business, Creative, Technology and Certifications. It was founded in 1995 by Lynda Weinman as Lynda.com before being acquired by LinkedIn in 2015. Microsoft acquired LinkedIn in December 2016.
    • language english
    • Training sessions 9
    • duration 41:05
    • Release Date 2023/01/21