Mixing With Ableton Live

Focused View

Jason Allen

5:32:53

174 View

1 - Introduction

1 - Introduction.mp4

04:40

2 - The 6 Elements of the Mix.mp4

01:49

3 - What is a Mix.mp4

03:30

4 - What is Mastering.mp4

02:59

5 - More Info on Mastering.html

2 - Approaches to Mixing

6 - Mixing Philosophy.mp4

03:08

7 - The Sound Dimensions.mp4

03:35

8 - The Music Dimensions.mp4

03:29

9 - Focus.mp4

01:52

3 - Balance

10 - Subtractive Mixing.mp4

03:40

11 - Fighting Instruments.mp4

04:38

12 - Fixing the Mud.html

13 - Finding a Starting Point.mp4

02:23

14 - Setting Levels.mp4

04:52

15 - The Noise Method.mp4

04:46

16 - 14-pinknoise.wav

16 - Download Pink Noise File.html

17 - My Mix.mp4

05:48

18 - Our Track So Far.mp4

07:36

19 - Tips for the Noise Method.html

4 - Panning

20 - Working in Stereo.mp4

04:56

21 - The Center Channel.mp4

03:46

22 - The Phantom Center.html

23 - Rules for Panning.mp4

04:27

24 - Surround Sound Mixing.mp4

06:18

25 - Tools of Surround Sound Mixing.html

26 - Panning on My Mix.mp4

10:46

27 - Panning in Ableton Live.html

5 - Frequency

28 - Frequencies.mp4

03:24

29 - Reading a Frequency Spectrum.mp4

07:39

30 - More with Spectrums.html

31 - The 7 Common Frequency Bands.mp4

04:26

32 - Working with the EQ.mp4

10:21

33 - Creating Definition in a Sound with EQ Method 1.mp4

05:52

34 - Creating Definition in a Sound with EQ Method 2.mp4

04:35

35 - Cleaning Up The Mud.mp4

05:58

36 - More with Mud.html

37 - Making Room in the Mix.mp4

07:56

38 - Adding a High Pass Filter.mp4

03:50

39 - Frequencies to Watch Out For.mp4

02:27

40 - Download Frequency Chart.html

40 - musicfrequencycheatsheet.pdf

41 - Creating Space in My Mix.mp4

02:35

42 - More Info on Creating Space.html

6 - The Battle of the Bass and the Kick

43 - Fighting Bass and Kick.mp4

04:24

44 - What is a Good Kick.mp4

04:06

45 - FreeSoundOrg.html

46 - Is Anything Else Causing Problems.mp4

01:04

47 - Rebalancing.mp4

01:16

48 - Rebalance Early and Often.html

7 - Space and Depth

49 - Mixing with Effects.mp4

02:57

50 - What Actually is a Delay.mp4

10:47

51 - Using Delay Effects in Ableton Live.html

52 - What Actually is Reverb.mp4

08:37

53 - Want to Get Weird with Reverb.html

54 - Download Reverb Parameters.html

55 - A Few Basic Guidelines.mp4

03:18

56 - Bus Effects.mp4

04:57

57 - Busses Vs Groups in Ableton Live.html

8 - Creating Space with Delay Effects

58 - Math Calculating Delay Times.mp4

07:36

59 - Delay Time Matrix.html

60 - Feedback Settings.mp4

05:32

61 - Ableton Effect Settings.html

62 - Delay Techniques for Vocals.mp4

04:38

63 - Delay Techniques for Guitars.mp4

04:04

64 - Delay Techniques for Drums.mp4

01:12

65 - Adding Delays.mp4

01:06

9 - Creating Space with Reverb Effects

66 - Timing the Reverb Decay.mp4

06:14

67 - Timing the Predelay.mp4

05:48

68 - PreDelay Settings.html

69 - Bus Reverb Setup.mp4

02:13

70 - Reverb Techniques for Vocals.mp4

06:09

71 - Reverb Techniques for Drums.mp4

03:11

72 - Reverb Techniques for Guitars and Synths.mp4

03:37

73 - Putting it all Together.mp4

11:14

74 - Advanced Reverb Techniques.html

10 - Dynamics Tools of Dynamics

75 - Mixing with Dynamics.mp4

04:09

76 - Compression.mp4

09:09

77 - More Compressor Settings in Ableton Live.html

78 - Multiband Compression.mp4

03:27

79 - Limiting.mp4

02:24

80 - More Limiter Settings in Ableton Live.html

81 - Gating.mp4

04:45

82 - More Gate Settings.html

11 - Compression Techniques

83 - Compression Techniques.mp4

02:02

84 - Variation Compensation.mp4

03:15

85 - Compression with EQ.mp4

02:44

86 - Compressor Settings.mp4

04:21

87 - Secret Ableton Live Compressor Settings pro tips.html

88 - Parallel Compression.mp4

04:06

89 - Compressing Drums.mp4

02:43

90 - Compressing Vocals.mp4

03:14

91 - Compression on Groups.mp4

05:05

92 - Compression on the Master.mp4

01:53

93 - Compressor Diagram.html

94 - More with Compressor Settings.html

12 - Focusing The Track

95 - What is Focus.mp4

02:16

96 - The Groove.mp4

06:15

97 - The Featured Element.mp4

04:12

98 - The Mix Engineers Handbook.mp4

01:46

99 - Download 15 Steps to a Better Mix.html

100 - The Biggest Rule.mp4

01:40

101 - One More Time Through Our Track.mp4

09:28

13 - Free Stuff

102 - Stems to Remix.html

14 - Wrap Up

103 - What Comes Next.mp4

01:27

104 - Wrap Up.mp4

00:31

105 - BestPrices-V4.pdf

105 - Bonus Lecture.html

Description

Using Ableton Live to Mix Your Tracks and Take Them from Good to Great!

What You'll Learn?

Professional Mixing Techniques in all styles of music
The tools of the professional mixer
Using the tools in Ableton Live for Professional Mixing
Taking a track from good to great

Who is this for?

The goal of this class is to take your tracks and find the "missing element" that makes a good track a great track.

This is a "must have" class for anyone making music with Ableton Live.

More details

Description
Welcome to the Mixing With Ableton Live!
This course is "5-Star Certified"Â by the International Association of Online Music Educators and Institutions (IAOMEI). This course has been independently reviewed by a panel of experts and has received a stellar 5-star rating.
This class is for anyone who has made or recorded music and wondered why their tracks don't sound like the tracks they hear on the radio, Spotify, SoundCloud, or anywhere else. This is the missing link in your production workflow.
In this class, we start with the very basics of mixing and work all the way up to finishing great tracks. I walk you through every step of the process and explain the logic behind every decision IÂ make. I'll even walk you through a complete mix from beginning to end.
The goal of this class is for you to learn how to take your tracks from good to great.
100%Â Answer Rate! Every single question posted to this class is answered within 24 hours by the instructor.

As a special addition, I've included some extra resources in this class to help give you multiple perspectives on mixing. Mixing is, after all, an art. Throughout the class, I'll be giving you articles, extra content, and resources from some friends of mine to help with a wider mixing philosophy.

Software:
I'll be using Ableton Live Suite 10 in this course. If you are using any version of Ableton Live, you should be able to follow along just fine.

Genre:
I'm best known for working with electronic music, but I've designed this course to be as inclusive as possible when it comes to genre. We will talk about mixing techniques for all instruments, sounds, and styles. All genres are welcome here!
Topics Covered:Â
The Listening Environment
Headphone Mixing vs. Studio Monitors
Preparing a Track for Mixing
Tuning Instruments
Grouping Tracks
Approaches to Mixing
Subtractive Mixing
Panning
Phantom Center
Phasing
Working with Frequencies
The EQ as the Scalpel of Mixing
Creating Definition with EQ
The High Pass Filter Trick
Negotiating the Kick and Bass in the Mix
Creating Space with Delay Effects
Creating Space with Reverb Effects
Reverb Techniques for Vocals, Guitars, and Drums
Delay Techniques for Vocals, Guitars, and Drums
Compressors
Parallel Compression
Compression Techniques for Vocals, Guitars, and Drums
Finding the "Focus" of the Track
The Art in Mixing
Software:Â Using Cakewalk, Garageband, Ableton Live, FLÂ Studio, Logic Pro X, Cubase, Reaper, Studio One, or any other application.
Principals of sound engineering
The art of home recording
Mixing and mastering
Mixing for EDM and other Bass Music styles.
And much, much more!
If you are ready to start making professional-sounding tracks, this is the class that will start you on that journey. Get started today.
Dr. Allen is a university music professor and isÂ a top-rated Udemy instructor - with nearly 100 courses and 270,000 students.
In 2017Â Star Tribune Business featured him as a "Mover and a Shaker," and he is recognized by the Grammy Foundation for his music education classes.Â

IÂ guarantee that this course is the most thorough music mixing course available ANYWHEREÂ on the market - or your money back (30-day money-back guarantee)
Closed captions have been added to all lessons in this course.
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Praise for Courses by Jason Allen:
â‡¢Â Â "It seems like every little detail is being covered in anÂ extremely simple fashion. The learning process becomes relaxed and allows complex concepts to get absorbed easily. My only regret is not taking this course earlier."Â -Â M.Â Shah
â‡¢Â Â "Great for everyone without any knowledge so far. IÂ bought all three parts... It's the best investment in leveling up my skills so far.."Â - Z. Palce
â‡¢ Â "Excellent explanations!Â No more or less than what is needed." - A. TÃ³th
â‡¢ Â "VERYÂ COOL. I've waited for years to see a good video course, now IÂ don't have to wait anymore. Thank You!" -Â Jeffrey Koury
â‡¢Â Â "I am learning LOTS!Â And I really like having the worksheets!" -Â A. Deichsel
â‡¢Â Â "The basics explained very clearly - loads of really useful tips!"Â - J. Pook
â‡¢ Â "Jason is really quick and great with questions, always a great resource for an online class!" M. Smith
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Students who register for this course will receive ongoing exclusive content and discounts to all future classes in the series.Â
Who this course is for:
The goal of this class is to take your tracks and find the "missing element" that makes a good track a great track.
This is a "must have" class for anyone making music with Ableton Live.

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Ableton Live

Jason Allen

Instructor's Courses

** J. is the #1 best selling music teacher on Udemy. He is the author of the #1 best selling music theory course on Udemy, "Music Theory Comprehensive" (12 parts), and Music Theory for Electronic Musicians (3 parts), which have been purchased by more than 70,000 students in 11 languages in 196 countries.** ** He is a PhD in music, and a best selling music producer. He brings this authenticity to all of his Udemy courses. **Jason Allen (better known as J. Anthony Allen) has worn the hats of composer, producer, songwriter, engineer, sound designer, DJ, remix artist, multi-media artist, performer, inventor, and entrepreneur. Allen is a versatile creator whose diverse project experience ranges from works written for the Minnesota Orchestra to pieces developed for film, TV, and radio. An innovator in the field of electronic performance, Allen performs on a set of “glove” controllers, which he has designed, built, and programmed by himself. When he’s not working as a solo artist, Allen is a serial collaborator. His primary collaborative vehicle is the group Ballet Mech, for which Allen is one of three producers. J. Anthony Allen teaches at Augsburg University in Minneapolis, MN, where he runs the Music, Media, and Management program. He is also an Ableton Live Certified Trainer, co-founder, owner and CEO of Slam Academy, a multimedia educational space in downtown Minneapolis, the CTO of Ion Concert Media, and sole owner and producer of music education courses under the umbrella of Punkademic Courses. Recently, Allen founded Hackademica – an innovative net-label for new music. J. has a PhD in music composition, 2 Master’s degrees in music composition and electronic music, and a bachelor's degree in guitar performance. Through his academic travels, Dr. Allen has received numerous awards along the way. If you run into him on the street, he prefers to be addressed as J. (as in, Jay.)

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