How to draw hairy creatures in Photoshop...

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Chris Scalf

2:41:14

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1 - Introduction.mp4

01:45

1 - TUTORIAL-wolf-assets.zip

2 - Starting with the small 14 Spatter Brush in Photoshop.mp4

00:43

2 - hot-keys.zip

3 - Getting started Doodle some details warm up.mp4

02:40

4 - Warm up 1 Sketching a Creature Face.mp4

15:55

5 - Warm up 1 Finishing the Creature face sketch.mp4

01:49

6 - Warm Up 2 Sketching a womans face.mp4

17:33

7 - Warm up 3 Sketching a wolf creature head.mp4

13:49

8 - Wolf 1 Starting the Werewolf.mp4

06:47

9 - Wolf 2 Adding first details teeth hairfur on the edges.mp4

18:21

10 - Wolf 3 Adding more detail and working on Hand layer.mp4

02:40

11 - Wolf 4 Begin to add color.mp4

08:06

12 - Wolf 5 Closer detail around eye.mp4

12:47

13 - Wolf 6 Add more details flop image for a fresher view.mp4

11:24

14 - Wolf 7 Liquify to change shape rework details for improvement.mp4

07:11

15 - Wolf 8 Reestablish details picture beginning to take shape.mp4

14:11

16 - Wolf 9 More detail introduce custom brushes.mp4

13:22

17 - Wolf 10 Home stretch Final crisp details.mp4

12:11

Description

(Using Photoshop Spatter Brushes)

What You'll Learn?

These exercises will condition the student to be able to work faster on deadlines and with repetition help them to remember tools, and short cuts for faster deadline delivery.

Who is this for?

Anyone who wants to learn ways to improve their drawing speed.

What You Need to Know?

You should have some knowledge of Photoshop, as well as a graphics tablet (e.g. Wacom Intuos, etc)

Beginner to Intermediate

More details

Description
It starts as a doodle, with some real photo references off to the side. No, not of a werewolf. Of some dogs. Then I show how it can be fun to create a spontaneous illustration of a crazy fictitious creature... But then also, show how challenging it can be to try and make it into something acceptable to the artist when you follow that path. It's a great exercise, and you will witness me struggling a t a few points and then finally resolve where I want to go with this kind image. I believe it is important to share this aspect, as I have met many artists who run into those snags where the art just doesn't feel right to them. And then they STOP. Don't stop! Look for alternative paths! The ending can be rewarding.
Who this course is for:
Anyone who wants to learn ways to improve their drawing speed.

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ABOUT THE ARTIST:Chris Scalf is an illustrator specializing in digital art and animation. His primary focus is commercial art, creating everything from storyboards and animatics to final art and finished animation. Over the years Chris has developed unique strategies and skills that have allowed him a nation-wide agency reputation for continuously delivering high volumes of exceptional art on tight deadlines, and doing it all on budget.In addition, Chris is also recognized globally for his work in genre publishing (for example his work on Star Wars Comics and books.) He is also known for his original work and tutorials centered around fantasy, and photo realism art.Chris started drawing as a young boy and was influenced by his love for the sci fi and fantasy genres. He never had any formal art training which allowed him to discover un-conventional routes giving us today’s exceptional work. His first published art was with G-Fan magazine which lead to working with companies such as Dark Horse Comics and Maximum Press, and eventually publishing his own comics under the Realm Press banner. Those early experiences taught him how to face grueling deadlines and conditioned him to turn around high volumes of quality art in a short periods of time. In those days, it was all traditional art, and difficult to produce giving Chris the incentive to explore and embrace the developing digital world. Chris was then able to harness his newly developed talent into becoming one of the countries top commercial artists we know today, currently working for many adverting agencies and publishers.

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