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HDR Color Grading MASTERCLASS

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Thomas Czech

56:41

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  • 1 - HDR-monitors-and-TVs.xlsx
  • 1 - Ultra-Studio-and-DecLinks.xlsx
  • 1 - What will you need for your studio.mp4
    02:08
  • 2 - What exactly is HDR.mp4
    02:00
  • 3 - Nits in real HDR life.mp4
    03:43
  • 4 - The whole power is in the metadata.mp4
    02:37
  • 5 - SceneRefered workflow and HDR gamuts.mp4
    01:52
  • 6 - RCM Output CS.mp4
    01:47
  • 7 - RCM Working and Input CS.mp4
    01:24
  • 8 - ACES Output working and Input CS.mp4
    02:01
  • 9 - Footage normalization.mp4
    00:45
  • 10 - Conscious control of interspace mappings.mp4
    04:56
  • 11 - Theory essence of HDR color correction.mp4
    04:06
  • 12 - Color management settings.mp4
    00:29
  • 13 - Practice shot 1 Interview.mp4
    01:00
  • 14 - Practice shot 2 The Harvester.mp4
    00:53
  • 15 - Practice shot 3 Night shot from Sony Venice.mp4
    00:55
  • 16 - Practice shot 4 Beautiful area contrast from BMD Pocket.mp4
    00:40
  • 17 - Corporate scene Shot 1.mp4
    00:30
  • 18 - Corporate scene Shot 2.mp4
    01:14
  • 19 - Corporate scene Shot 3.mp4
    00:45
  • 20 - Corporate scene Shot 4 and 5.mp4
    00:46
  • 21 - Corporate scene Shot 6.mp4
    01:38
  • 22 - Corporate scene Shot 7.mp4
    00:57
  • 23 - Corporate scene Shot 8.mp4
    00:34
  • 24 - Wedding trailer Introduction.mp4
    01:24
  • 25 - Wedding trailer Shot 1.mp4
    00:11
  • 26 - Wedding trailer Shot 2.mp4
    00:39
  • 27 - Wedding trailer Shot 3.mp4
    00:24
  • 28 - Wedding trailer Shot 4.mp4
    00:23
  • 29 - Wedding trailer Shot 5.mp4
    00:12
  • 30 - Wedding trailer Shot 6.mp4
    00:39
  • 31 - Wedding trailer Shot 7.mp4
    00:56
  • 32 - HLG VDM.mp4
    01:50
  • 33 - HLG direct for consumer.mp4
    01:17
  • 34 - HLG transmission file render.mp4
    00:51
  • 35 - PQ VDM and any other version.mp4
    00:39
  • 36 - Types of metadata delivering.mp4
    00:29
  • 37 - HDR10 metadata preparation.mp4
    00:45
  • 38 - HDR10 mezzanine file.mp4
    00:16
  • 39 - HDR10plus metadata preparation.mp4
    01:20
  • 40 - HDR10plus mezzanine file.mp4
    00:07
  • 41 - HDR DolbyVision metadata preparation.mp4
    03:48
  • 42 - HDR DolbyVision mezzanine file.mp4
    00:23
  • 43 - HDR Vivid metadata preparation.mp4
    00:53
  • 44 - HDR Vivid mezzanine file.mp4
    00:20
  • 45 - Come to our HDR Specialist Community.mp4
    01:15
  • Description


    Professional training in practical HDR color correction, not theory or use of program tools.

    What You'll Learn?


    • Building and properly setting a fully professional HDR signal path.
    • How to make a 1st Reference Class studio at a very low cost.
    • Which monitor is worth buying and which is not.
    • What is HDR in practice.
    • Scene-Referred vs. Display-Referred
    • Fully understand of HDR Color Management in RCM and ACES.
    • Correct image brightness adjustments during color correction in HDR.
    • Color grading in such a way as to protect it from aggressive ABL systems.
    • Absolute brightness zones and the type of content that should be included in them for your image to comply with ITU-R recommendations.
    • How do we use ITU.R. standards in practice?
    • Practice HDR HLG workflow from A to Z.
    • Practice HDR10 workflow from A to Z.
    • Practice HDR10+ workflow from A to Z.
    • Practice HDR Vivid workflow from A to Z.
    • Practice basic DolbyVision workflow.
    • Real color corrections on full film scenes, not on shots taken out of context, with a full description of the thought process and techniques used.
    • Fully professional preparation of metadata for platforms such as Netflix, Amazon Prime, Disney+ and HBO Max..
    • Creating mezzanine files for the direct end customer.

    Who is this for?


  • Cinematographers who want to add an HDR content delivery service to their offer.
  • Top professional colorists who want to quickly and efficiently learn to prepare fully professional content for providers such as Netflix, Disney+, Amazon Prime, HBO Max, Canal+, etc.
  • What You Need to Know?


  • You should understand the basic color correction tools in the Color module in DaVinci Resolve.
  • You don't need to have any knowledge about HDR technology. I will teach you everything you need.
  • You should have ability to HDR video monitoring (it could be an HDR TV).
  • More details


    Description

    If you’re here, I probably don’t need to explain what HDR is or convince you that the sooner you learn to work with it, the better. New standards have permanently broken away from the previous era, and this process is irreversible. Almost a decade ago, Amazon and Netflix set this machine in motion, and this year, Brazil became the first country in the world to launch 3.0 television—television in HDR technology.


    I’ve designed this training to be as practical as possible. I’ve been professionally involved in color correction in HDR since 2018, and I’ve tailored this training with professionals in mind. You won’t find techniques related to color correction itself, look design, or film emulation here. However, I will efficiently and, most importantly, effectively teach you the essential principles of HDR color correction in each of the currently used HDR standards: HLG, HDR10, HDR10+, HDR Vivid, and HDR Dolby Vision.


    I’ll teach you how to prepare the timeline properly, create trim passes, and generate metadata—even the ones that can’t be exported directly from DaVinci Resolve but are regularly requested by content providers. You’ll learn how to export this data, how to generate mezzanine files, and how to prepare files for the end client or any external content provider.


    I’ll demonstrate working techniques using real-world examples and entire scenes, not just isolated frames taken out of context. Additionally, I’ll show you how to set up a home studio for 100% reference work with HDR material at minimal cost!


    After this training, you’ll be fully capable of professionally performing color correction in all HDR technologies and delivering it appropriately to either the end client or any HDR content provider. You’ll also gain access to our discussion group, where we continuously expand our repository of confirmed recipes for preparing materials and metadata specific to various providers in different countries. This channel will provide ongoing support, especially during your initial projects, so you can feel confident and at ease.


    Be one of the first in your area to offer content delivery services in HDR standards. The investment in this training will pay off quickly!


    Let’s get started!

    Who this course is for:

    • Cinematographers who want to add an HDR content delivery service to their offer.
    • Top professional colorists who want to quickly and efficiently learn to prepare fully professional content for providers such as Netflix, Disney+, Amazon Prime, HBO Max, Canal+, etc.

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    Thomas Czech
    Thomas Czech
    Instructor's Courses
    Thomas is an absolute enthusiast of colors, a fan of contemporary stylistic conventions. He works as a colorist and pipeline supervisor on a daily basis. He is an associate member of the Colorist Society International and a certified specialist in the Professional Video Alliance. Tomasz is the author of a pioneering method for narrowing color perception for colorists. He is also a certified Dolby Vision specialist and has years of experience specializing in color correction, project delivery, and quality control in HDR technologies.
    Students take courses primarily to improve job-related skills.Some courses generate credit toward technical certification. Udemy has made a special effort to attract corporate trainers seeking to create coursework for employees of their company.
    • language english
    • Training sessions 45
    • duration 56:41
    • Release Date 2024/10/29