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GUITAR PRODUCTION 301 Guitar Legends: In the Box

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Gregg Fine

1:19:51

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  • 1.Overview.mp4
    02:08
  • 2.Guitar DAW Setup.mp4
    01:49
  • 3.Introduction.mp4
    02:51
  • 4.The Guitar Pick.mp4
    01:43
  • 5.The Amp-Setting Levels.mp4
    03:32
  • 6.The Amp-Tone Controls.mp4
    02:42
  • 7.The Amp-Cabinet.mp4
    02:04
  • 8.Delay Time.mp4
    03:18
  • 9.Delay Feedback.mp4
    01:24
  • 10.Delay EQ.mp4
    00:58
  • 11.Delay Modulation.mp4
    01:55
  • 12.Introduction.mp4
    02:38
  • 13.The Amp-Setting Levels and EQ.mp4
    02:19
  • 14.The Amp-Mic Choice and Placement.mp4
    01:05
  • 15.The Skank Guitar Part.mp4
    01:54
  • 16.Compression with the MXR Dynacomp.mp4
    04:27
  • 17.Compressing the Skank Guitar.mp4
    01:17
  • 18.EXH Deluxe Electric Mistress.mp4
    05:35
  • 19.Maestro Echoplex Ep-3.mp4
    05:28
  • 20.Introduction.mp4
    03:20
  • 21.The Amp.mp4
    03:14
  • 22.Univibe.mp4
    05:07
  • 23.Leslie Rotary Speaker.mp4
    05:12
  • 24.MXR Phase 90.mp4
    02:18
  • 25.The Guitar Solo - Amplifier.mp4
    01:28
  • 26.The Guitar Solo - Big Muff Fuzz.mp4
    02:01
  • 27.The Guitar Solo - Overdrive.mp4
    01:53
  • 28.The Guitar Solo - MXT Dynacomp.mp4
    00:49
  • 29.The Guitar Solo - Deluxe Electric Mistress.mp4
    01:59
  • 30.The Guitar Solo - Ambience Effects.mp4
    03:23
  • sample-1338.zip
  • sample-1502.zip
  • sample-1810.zip
  • sample-2055.zip
  • sample-2399.zip
  • Description


    Want to recreate the guitar sounds of U2, The Police and Pink Floyd right in your DAW using only plugins? This Guitar Production course shows you how to recreate the sounds of legendary guitarists Andy Summers, The Edge, and David Gilmour. What are you waiting for? Get ready to rock!

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    Many legendary guitarists are known for their innovative use of guitar effects to create their unique sonic identities. They're able to craft the perfect guitar tone for each song they play, by combining various amps, mics and guitar pedals. Thankfully, you don't have to bust the bank to get similar sounds... That's because digital audio processing has reached the point where analog guitar gear can be faithfully reproduced with plugins "in the box". In this course, trainer and guitarist Gregg Fine explores the tone of the following 3 guitarists and explains how to recreate them with plugins:

    One of the most distinctive sounds in pop-rock guitar come from U2's guitarist, The Edge. With its unique use of delays, he was able to craft the huge guitar sound heard in hits like Where the Streets Have No Name, With Or Without you, and Sunday Bloody Sunday.

    Andy Summers from The Police is well known for its interesting use of guitar FX like the MXR Dynacomp and Maestro Echoplex, which contributed greatly to the success of hits like Message In a Bottle, Don't Stand So Close to Me and Every Breath You Take.

    David Gilmour from Pink Floyd continues to inspire generations of guitarists with its soulful playing and highly unique tone. By constantly experiments with different guitar pedals, from fuzz to modulation, he created the signature tone heard in Comfortably Numb, Money and so many other hits.

    Whatever DAW or plugins you use, get ready to recreate the sound of these 3 guitar legends "in the box", and incorporate these techniques into your own music hits!

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    A native of South Florida, Gregg soaked up the influence of the Miami music scene as a youth and quickly progressed from devout music lover to professional jazz guitarist. In college, Gregg studied with Charlie Haden, Pat Metheny, Roscoe Mitchell, and Leo Smith while at the University of Miami and CalArts. He eventually landed in New York City where he worked with Jazz titans like Jim Hall, George Garzone, Richie Beirach, and Arnie Lawrence.

    Gregg got a call from the management of Calypso legend Harry Belafonte and worked with Harry over the course of the next five years. Together with a highly experienced and multi-cultural band, Gregg and Harry traveled extensively throughout the United States, Canada, the Caribbean Islands, and Europe.

    Upon his return to the BIg Apple, Gregg decided to focus on recording work and founded Onda Productions with two partners, where he became Head of Music Production. The company created commercials for many of the major advertising agencies in Manhattan including JWT, Ogilvy and Mather, DDB, BBDO, Deutsch, Grey, and Chiat Day. They produced original music for brands such as Old Navy, Pantene, Puma, Ford, Honda, Covergirl, Cotton Inc., Joe Boxer, and Mennen. As their business grew they extended their creative reach to compose for video games, fashion shows, films, records, and websites.

    Gregg left Onda to create his own commercial music production company, Hidden Tiger Music. He currently creates spots for Mercedes, Lipton, YSL, Nescafe, McDonalds, Ford, and many others, often working in collaboration with many of New York’s most prestigious music houses.

    Gregg's music can also be heard on television shows, major motion pictures, and websites including Anthony Bourdain's No Reservations, Masters of Reception, Zoolander, Rick, Accepted, MTV's Gamekillers and "Jones New York.” Gregg is the composer of the theme for 'The Chew', seen nationally on ABC, 5 days a week. You can follow Gregg's current work at hiddentigermusic.com
    Ask.Video is an online education community for creative computer users. Our courses focus on artistic skills like Making Music, Video Editing, ...
    • language english
    • Training sessions 30
    • duration 1:19:51
    • Release Date 2023/09/26

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