DaVinci Resolve: Editing in the Cut Page

Focused View

Patrick Inhofer

3:23:20

234 View

01.01-editing video in the cut page of davinci resolve.mp4

03:40

01.02-using the exercise files.mp4

02:32

01.03-generating proxies for smooth playback.mp4

04:41

01.04-simple color management.mp4

06:39

01.05-prepping sound for interview footage.mp4

03:39

02.01-selecting project settings.mp4

01:47

02.02-selecting the right auto save setting.mp4

02:29

02.03-setting up and recalling your workspace.mp4

02:38

02.04-a note about fixing stuttering playback.mp4

02:26

02.05-drag and drop editing.mp4

04:06

02.06-bin navigation and view options.mp4

02:18

02.07-understanding track controls.mp4

05:23

02.08-the key difference between track one and other video tracks.mp4

05:21

03.01-creating and managing multiple timelines.mp4

05:38

03.02-jkl and using in and out points.mp4

08:44

03.03-append and ripple overwrite commands.mp4

06:32

03.04-using the smart insert to bypass setting timeline in and out points.mp4

03:00

03.05-the overwrite command.mp4

02:41

03.06-video-only and audio-only edits.mp4

04:46

03.07-keyboard editing.mp4

05:25

03.08-source tape editing.mp4

05:29

03.09-revisiting the autosave settings.mp4

04:34

03.10-the cut page challenge.mp4

01:15

04.01-organizing a story part 1.mp4

09:54

04.02-organizing a story part 2.mp4

06:23

04.03-additional swapping tips.mp4

04:42

04.04-selecting clips in the timeline.mp4

05:58

04.05-selecting edits and basic trimming commands.mp4

04:16

04.06-play around keyboard commands.mp4

03:29

04.07-audio trim view.mp4

01:55

04.08-cut challenge fine-tuning your edits on the cut page.mp4

03:50

04.09-close up and place on top commands.mp4

12:13

04.10-slipping shots rolling edit points and rippling the timeline.mp4

06:53

04.11-undo and redo in davinci resolve.mp4

02:13

05.01-overview of the speed editor.mp4

04:16

05.02-using the search dial part 1.mp4

03:42

05.03-using the search dial part 2.mp4

03:02

05.04-edit modes.mp4

03:30

05.05-the dual behavior of the close up key.mp4

02:02

05.06-the four finger actions of the speed editor.mp4

05:37

05.07-trimming with the speed editor.mp4

06:12

05.08-rolling and sliding with the speed editor.mp4

02:15

05.09-adding transitions.mp4

01:31

05.10-important function keys part 1.mp4

03:29

05.11-important function keys part 2.mp4

02:11

06.01-quick export.mp4

02:54

06.02-final thoughts on the davinci resolve cut page.mp4

02:20

06.03-additional resources and goodbye.mp4

02:50

Ex Files DaVinci Resolve Editing in the Cut Page.zip

Description

The greatest strength of DaVinci Resolve is how it shares a single timeline among completely different toolsets, each designed to accomplish a specific task. The Cut Page is optimized for quickly editing a story together. In this course, instructor Patrick Inhofer shows you the fundamentals of nonlinear editing and demonstrates how to master the unique strengths of the Cut Page. Patrick goes over how to manage proxies, color, and sound, then dives into the specifics of Cut Page mechanics. He discusses in-depth the fundamentals of nonlinear editing and how to trim and move your clips in the Cut Page. Patrick also covers how to use the Speed Editor from Blackmagic, a hardware add-on that is designed to work specifically with the Cut Page.

Note: This course was created by Patrick Inhofer. We are pleased to host this training in our library.

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Image Editing

DaVinci Resolve

Patrick Inhofer

Instructor's Courses

I am a professional, accomplished Film and Video colorist (with a pedigree in editing and finishing) with 30+ years professional experience delivering high-quality programming for Broadcast, Commercial, Corporate and Indie clients, requiring minimal supervision. For 10+ years I've also developed a concurrent career teaching others how to digitally color correct moving images and been active in developing community resources for professional and aspiring colorists. What is digital color correction? Professional colorists enhance images (fix problems and control the viewer's eye) while reinforcing the underlying narrative of the story being told (and yes, even Corporate videos tell stories that will benefit from color correction). If you want to be amazed at how much your images can be improved by the deft touch of a professional colorist, contact me—or, if you want to do my job, take one of my training courses. Sub-specialty: Color Correction for long-form (Documentary and Indie) filmmakers

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