DaVinci Resolve: Color Page

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Patrick Inhofer

3:26:28

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[1] Introduction

[1] Course overview and prior experience.mp4

04:08

[2] Using the exercise files.mp4

01:46

[3] An overview of the color grading process.mp4

01:47

[4] Related series for important Color page topics.mp4

02:53

[2] 1. Introduction to Using the Color Page

[1] The Color page layout.mp4

05:01

[2] Evaluating the footage and master settings.mp4

07:43

[3] Preparing the project and user preferences.mp4

02:25

[4] Manipulating the viewer.mp4

08:13

[5] The Color page timeline and thumbnails.mp4

04:28

[6] Thumbnail timeline filtering.mp4

04:39

[7] DaVinci Resolve YRGB image processing.mp4

07:32

[8] DaVinci Resolve YRGB color management (R17+).mp4

06:34

[9] Masking to a specific aspect ratio.mp4

02:55

[3] 2. Primary Color Correction Fundamentals

[1] Primary corrections vs. secondary corrections.mp4

02:02

[2] Primaries bars adjustments Lift, gamma, gain.mp4

04:19

[3] Primaries bars adjustments Offset.mp4

02:47

[4] Making global color adjustments in the Primaries palette.mp4

07:08

[5] Making global contrast adjustments in the Primaries palette.mp4

04:04

[6] Global adjustments in the HDR palette.mp4

02:53

[7] Temperature and tint adjustments in the HDR palette.mp4

04:09

[8] Contrast, pivot, exposure, and saturation in the HDR palette.mp4

02:09

[9] Using custom curves for primary corrections.mp4

06:44

[10] Using the RGB Mixer to solve global problems.mp4

04:41

[11] Using the stabilizer on the Color page.mp4

04:30

[12] Blur palette 101.mp4

02:22

[13] Midtone detail.mp4

01:54

[14] Camera RAW 101 Project settings.mp4

05:37

[15] Camera RAW 101 The Camera RAW palette.mp4

04:14

[4] 3. Using the Node Editor Fundamentals

[1] A node is a thought.mp4

07:48

[2] Nodes 102 Organizing your workflow using a structured node tree.mp4

07:47

[3] The Layer Mixer node and serial nodes.mp4

04:09

[4] The Parallel Mixer node and serial nodes.mp4

03:37

[5] Adding keyframes to individual nodes in the Color page.mp4

06:31

[6] Dialing down a serial node using the Key Mixer.mp4

03:40

[7] Structured node trees.mp4

03:28

[5] 4. Secondary Color Correction Fundamentals

[1] What tools are associated with secondary corrections.mp4

01:52

[2] Using the Primaries palette for targeted adjustments.mp4

05:31

[3] Using custom curves for targeted corrections.mp4

05:31

[4] Fixing common saturation problems using curves.mp4

06:07

[5] Selecting colors using the Qualifier palette.mp4

03:54

[6] Refining your selection range in the Qualifier palette.mp4

03:09

[7] An introduction to the 3D qualifier.mp4

04:52

[8] Power Windows 102.mp4

05:59

[9] Tracker 102 Frame mode.mp4

06:11

[6] Conclusion

[1] Final thoughts on structured node trees.mp4

01:28

[2] Order of operations using primary and secondary corrections.mp4

03:42

[3] Additional resources.mp4

01:35

Description

DaVinci Resolve is a leading professional color grading solution used for digital intermediates (the digital color grading of film-acquired sources, to be printed back out to film for theatrical exhibition). It’s not surprising that its color management tools are used every day in major film productions all over the world. In this course, professional colorist Patrick Inhofer takes an extensive look at the color page in DaVinci Resolve, starting with the settings and preferences that have a significant impact on color manipulations. He then covers the concept of primary corrections and the tools used for establishing a base color correction, as well as secondary corrections and how to isolate and minimize problematic areas of the image. Patrick also shows how to combine primary and secondary color operations to enhance viewer engagement, and shares tips for improving your shot-matching skills to help your story have a better visual flow.

This course was created by Patrick Inhofer. We are pleased to host this training in our library

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DaVinci Resolve

Patrick Inhofer

Instructor's Courses

I am a professional, accomplished Film and Video colorist (with a pedigree in editing and finishing) with 30+ years professional experience delivering high-quality programming for Broadcast, Commercial, Corporate and Indie clients, requiring minimal supervision. For 10+ years I've also developed a concurrent career teaching others how to digitally color correct moving images and been active in developing community resources for professional and aspiring colorists. What is digital color correction? Professional colorists enhance images (fix problems and control the viewer's eye) while reinforcing the underlying narrative of the story being told (and yes, even Corporate videos tell stories that will benefit from color correction). If you want to be amazed at how much your images can be improved by the deft touch of a professional colorist, contact me—or, if you want to do my job, take one of my training courses. Sub-specialty: Color Correction for long-form (Documentary and Indie) filmmakers

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