Behringer Model D: Making a Track

Description

Synth wiz Larry Holcombe delivers a step by step Behringer Model D video tutorial series! See how to create a whole electronic music production using the Model D for all the parts, including a basic arrangement and mix. These videos offer a look at the workflows involved when using one monophonic hardware synthesizer to create an entire track and are designed for those who have some experience with the Behringer Model D. If you want to learn all about the Behringer Model D's features and functions, check out "Behringer Model D Explained®" here.

Larry begins with a welcome and then jumps right in, showing you how to design a proper kick drum patch from a blank preset. You'll then see how to craft the snare sound by using 2 patches, the first a square wave, and then a white noise layer. Larry then puts the snare sound through some external hardware effects to add spatial width and excitement.

Throughout the rest of the videos, Larry explains and explores how to design closed and open hi-hat presets, a cool arpeggiated bass patch, an undulating lead sound, and then various effects via a selection of Eventide hardware units.

For the polyphonic chords parts of the song, Larry demonstrates how to use the Model D's external input to filter a polyphonic synth through its filter section, resulting in that great Moog Model D filtered sound. Wrapping it up, Larry walks you through creating a basic arrangement and mix to pull the whole track together.

To see what these insightful Model D production tutorials show you, and how they'll get you going on your first song with the Behringer Model D, see the individual Model D video tutorial descriptions on this page. Create a whole track from scratch with the Behringer Model D today... Check out “Behringer Model D: Making a Track" now.

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Given that this is not about huge synthstyle scoring, the “Behringer Model D: Making a Track” instructional videos are really insightful and informative. The whole idea of building almost an entire track with just one monophonic synth is very cool, and there’s a lot of useful tricks and workarounds in here like: - layering the different elements of a synthesized drum sound - using the “D” for filtering an external soundsource - routing tips for your DAW (Logic Pro X) - preplanning the arrangement using stock sounds and so on. All in all I had great fun watching this and recommend it to anyone wanting to expand their monosynth scope. One thing though: the camera angle most of the time causes the authors hand to cover the tweaking which makes it less obvious to the wiever. Best Vibes, Mo’.

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